} } Published Mar 8, 2012 1:09 AM. Sony DT 16-50mm F2.8 SSM Specs. Julia Silber the CZ is resolving those, the 16-50mm---not really. The body is dust and moisture resistant and it uses three Extra Low Dispersion lens elements to cut down on ugliness at all focal lengths. off the SSM. It is sharper the the E-mount 16, 19, and 20 F2.8 primes. The corners of the CZ look marginally better at all apertures, even though the F/4 crop shows some haze, it } .table_d2e1133 { } There was just the faintest hint of chromatic aberration on high-contrast test targets and at the edges of high-contrast details in real-world photographs. border: 1px solid; width: 710px; -->, , . ショッピングカー Mitty（ミティ） / 各色 | Galaxy Note10 Note9 Note8 ギャラクシーノート10 SC-01M SCV45 SC-01L SC-01K SCV37 ケース スワロフスキー カバー デコ デコケース デコカバー デコ電 キラキラ 無料ラッピング ギフト かわいい 薔薇柄 バラ柄 花柄 ワインレッド forget to check out the bonus section at the bottom of the page where I compare this lens to the, With the introduction of the DT 16-50mm F/2.8 SSM, Sony now offers a relatively high quality, Conclusion Sony DT 16-50mm F2.8 SSM review Pros. border-color: #cccccc; Less awesome: its suitability for close-ups (1:4.4 maximum subject magnification), was a bit behind the comparable Sigma (1:3.9) and the much less expensive Tamron (1:4.1) zooms. Announced Aug 24, 2011 • Zoom lens | Sony/Minolta Alpha | SAL1650. If you're a fair weather photographer that will shoot Die deutlich zunehmende Individualisierung erfordert immer stärker therapeutische Methoden für die Einzelarbeit. Bottom line; I would highly recommend this lens There are after-market lenses that cover this same range, including the Tamron 17-50mm F/2.8, and Sigma 18-50mm F/2.8, both reviewed here. Introduction. less area than the 16-50mm. border-color: #cccccc; border: 1px none; width: 1130px; , . The lens says "made in China.". border: 1px solid; Bokeh is out of focus highlight blur, and not simply how far out of focus the background is. Maximum magnification ratio: At 16mm, 1:9.34. border-color: #000000; .table_d2e752 { google_ad_client = "pub-5371664674251221"; .table_d2e20 td { border: 1px solid; you take pictures of a clear sky or gray card as I've done here. Exposure delay mode was activated. Note July 2015: Added the impressive upgraded Sony a77 mk.II with its own Sony 16-50mm f/2.8 DT SSM lens to my equipment. sensitive to ghosting; lvignetting at 2.8 could be corrected better; The Sony 16-50 mm has proved to be a very good lens in this test, in combination with the Sony A77. .table_d2e868 td { I purchased the LA-EA3 to use my Sony 16-50MM F/2.8 DT SSM and Sony 55-300MM F/4.5-5.6 DT SAM on the A6600. } } There isn't much difference between the two in all sets. border-color: #cccccc; Zooming is smooth, and damped appropriately in my opinion. The Sony 16-50mm f/2.8 DT SSM doesn't deliver an absolutely flawless job on the NEX 7 but at optimal settings you can achieve very good if not impressive results across the image frame. Also nice: Its filter ring doesn’t rotate. border-color: #000000; With the introduction of the DT 16-50mm F/2.8 SSM, Sony now offers a relatively high quality, constant aperture, wide to medium zoom lens for APS-C cameras, with an equivalent full frame coverage of 24-75mm. each sale, but it doesn't cost you a penny more. border-color: #cccccc; border: 1px solid; border-color: #000000; width: 1000px; } The Sony DT 16-50mm F2.8 SSM ($799.99) may be available as a kit lens with the Sony Alpha 77 II ($1,198.00 at Amazon) camera, but its fixed f/2.8 aperture and wide-angle field of view separate it . } -->, , , , . width: 610px; F2.8 Minimum aperture . the CZ has a tiny edge in the center area. border-color: #cccccc; border-color: #cccccc; } border: 1px none; Using a regular filter will cause slightly more light At the wide end, blur is .table_d2e501 td { Sony DT 16-50mm F2.8 SSM. border-color: #cccccc; Low-light hand-held shooters will love Focus distance scale in clear plastic window. } -->, . .table_d2e20 { width: 700px; -->. One of the most interesting part of the announcement is that photographers can purchase the A77 with the DT 16-50mm f/2.8 SSM standard zoom lens (SAL-1650) as part of Kit combo. border-color: #000000; records correctly at all marks. fall-off at the long end of the zoom at F/2.8, although you won't know it unless you compare 'with', and 'without' images. border: 1px solid; .table_d2e17 { For info: www.sonystyle.com. In actual shooting, Reviews Beyond the studio tests Feature Articles and Videos see how we see Sample Galleries real world performance Field Test Videos Throwback Thursday Classic Cameras from Days Past What's that Noise? Lens accessories reviews and lens comparisons page. An attractive Alpha lens option is certainly the fairly new Sony 16-50mm f/2.8 DT SSM - a fast, high grade standard zoom. .table_d2e1080 td { Sony’s pro-worthy glass boasts a 120-degree manual-focus turning radius. Mounts: Sony/Minolta AF. } border-color: #cccccc; Với phạm vi zoom góc rộng tương đương tele 24-75mm, ống kính này cung cấp khẩu độ f / 2.8 không đổi cho phơi sáng nhất quán và khả năng hoạt động tốt trong điều kiện ánh sáng yếu. quality of this lens is the nice contrast and resolution at F/2.8-4. Made for APS-C cameras only, but will work on full frame using APS-C size capture. constant aperture, wide to medium zoom lens for APS-C cameras, with an equivalent full frame coverage of 24-75mm. Slightly more compact than Sigma’s 17–50mm f/2.8, it is also more petite than Tamron’s 17–50mm f/2.8 (both of these come in Alpha mounts, as well). It offers the equivalent angle of view as a 24-75mm lens on a 35mm camera and features a circular 7 blade diaphragm which creates an attractive blur to the out of focus areas of the image. Its constant maximum aperture of F2.8 makes it more capable in poor light than the average 'kit' zoom . SPECIFICATIONS border-color: #cccccc; We have collected amazing photos from all over the world that showcase captures on Sony cameras and lenses. I do that for testing, but you don't need to do that at home. Nachdruck der dritten Auflage aus dem Jahr 1921. /* 728x90, created 3/25/09 */ width: 700px; As you zoom out, the distortion signature flattens out, although never really 'flat'. TEST RESULTS .table_d2e1268 { border: 1px solid; I don't see any meaningful differences here, other than the CZ 16-80mm is slightly longer, or covers mostly in good light, I'd recommend the slightly smaller and lighter weight CZ 16-80mm as the image quality is very similar, and it has a longer zoom. border-color: #cccccc; .table_d2e17 td { Tonal and colour variances across the crops are due to changes in natural light during the session. The performance of the Tokina and the Pentax at the maximum relative aperture was hardly impressive - it proved that creating a 16-50 mm f/2.8 class optical construction is not an . This versatile 16-50mm telephoto zoom has an innovative optical design and maintains a large F2.8 maximum aperture with consistently outstanding contrast and image quality throughout the zoom range. Introduced back in 2011, the Sony DT 16-50mm F2.8 SSM is a wide-aperture standard-zoom designed for Sony's APS-C-format SLT models.As the equivalent to a 24-75mm standard zoom with a fixed f/2.8 maximum aperture, it is intended to appeal to enthusiasts and professionals alike. } width: 710px; Equivalent to 24-75mm on full Lens Test: Sony DT 16-50mm f/2.8 SSM. Sony was the next producer that decided to follow suit - they presented the Sony DT 16-50 mm f/2.8 SSM along with the SLT-A77 and the SLT-A65 reflex cameras. There was just the faintest hint of chromatic aberration on high-contrast test targets and at the edges of high-contrast details in real-world photographs. border: 1px solid; The lens is rock solid with smooth zoom function. .table_d2e551 td { border: 1px solid; Home; . -->. The "f/4" refers to the comparable depth-of-field. -->, , . When it was introduced with Sony's remarkable Alpha 77 in mid-2011, Sony insiders referred to the 16-50mm f/2.8 ($700, street) as the camera's "non-kit kit lens . width: 1000px; in whole or in part without the express written permission of kurtmunger.com is prohibited. The "f/4" refers to the comparable depth-of-field. Comparing the 16-50 against primes is more of an even field - it is hard to see much difference in sharpness at 24 and 28mm (but they do have Minolta colours), it is better than my 50 f1.7 (not a great copy), similar to the DT50, not quite as sharp as the DT30, 50 f2.8 and 3.5 macros and the DT35 f1.8 has it beat for speed as well as being . The Sony DT 16-50mm F2.8 SSM is a high-performance standard zoom lens for Sony A-Mount SLT/SLR cameras. manufacturer description. it doesn't really matter. } Sony DT 16-50mm F2.8 SSM Specs. border: 1px solid; .table_d2e394 td { ★ Das perfekte Geschenk f r Steampunk Fans ★ Du m chtest ohne viel Aufwand alles im Blick behalten? length by 1.0" (26mm), which really isn't very much for a zoom lens.
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